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02/01/17 @ 9:00 pm EST
A new Writer-2-Writer interview with Jesse Hamm, the co-writer and artist on Flash Gordon: Kings Cross #4, asking questions of writer David Liss of Green Hornet: Reign of the Demon #3. Both books are on sale today from Dynamite Entertainment. Cover by Moritat.  JESSE HAMM: Your Green Hornet comics have the fun, fast-paced energy and bravado of ’30s pulp stories. I’m reminded of Robert E. Howard’s occasional crime stories, or the Mr. Moto movies. What are some of your influences, from prose and film? DAVID LISS: I don’t think I could point to any one, or even any handful, of influences in particular. I’d say I’m drawing on the pulp tradition in general. When I work on this kind of story, I set out with a particular set of character and plot goals, and then try to figure out how to best organize the material so that it will be – I hope – an engaging, suspenseful and surprising story. In this case, I have a few different elements, such as the flamboyance of the Swashbuckler and the insane villainy of Demone. They come from different universes, and putting them together is part of the fun in crafting a story like this. JH: Are there any particular comics writers or series that you look to for inspiration? DL: I feel like I learn from everything I read, even the stuff I don’t think is successful. There are tons of comics writers I admire, of course, but I think the nuts and bolts guy I turn to most frequently might be Ed Brubaker. I think he’s not only a terrific storyteller, but he’s a master of the set-up. Whenever I start a new series or a new arc, I’m at least subconsciously, and sometimes overtly, thinking, “What would Brubaker do?” JH: Each issue of The Green Hornet: Reign of the Demon is clearly part of a bigger story arc, with clues about Demone’s plans that the Hornet must unravel along the way. How do you decide how much information to reveal to readers in each issue? DL: Because I started out writing prose fiction, I am always fascinated by, and love to play with, the way form and content work together in comics. In a novel, you can make any chapter as long as you’d like and spend as much time as you need developing any element of plot or character. In comics, you usually know how many issues you have for a story, and you certainly know how many pages. In this case, because it was a four issue arc, I knew I was going to need at least one major revelation, something that makes readers rethink the story or the stakes, in each of the first three issues. I like to get readers to the point where they feel like they know what’s going on and then throw out something new to make them realize things are more complicated than they realized. I know I like that sort of thing as a reader. JH: Both Casey and Kato make up the Hornet’s support staff, so to speak. Kato’s clearly handy in a fight; what would you say Casey brings to the team? How would the book likely differ without her? DL: Casey is there to do research, of course, but also as a kind of moral compass. That was something Mark Waid set up beautifully in his Green Hornet run, and I thought it would be a shame to let that slide. She holds Britt Reid to task and makes sure he remembers why he does all this in the first place. She’s also there to bring out some interesting period gender dynamics. As a woman in this period, she faces real obstacles and limitations, and it presents some great storytelling and character development opportunities to have some of these people push back against the limitations imposed by their culture. JH: The Hornet is in a unique position among costumed heroes, in that he needs to appear as a villain to the public. Are there particular lines that he won’t cross in his efforts to appear villainous? DL: The Hornet will never deliberately allow an innocent person to come to harm, though the need to create the illusion of villainy can lead to some unintended consequences. One of the things I explore in this series is how this masquerade can sometimes put the character in a difficult position, or the need to appear as a villain can actually endanger people. It’s a tightrope, and watching this character walk it is part of the appeal. JH: You weave some humor into the Hornet’s adventures, and there’s also a lot of theatricality in the characters’ disguises. How do you strike the right balance, keeping the series light and fun without letting it slide into campy comedy? DL: I think the key is to have the humor come from the characters. People use humor in all kinds of way – they crack jokes in dangerous and solemn situations – and showing that is both fun for the readers and humanizing for the characters. I think the key is to make sure the characters are generating the humor and not the butt of it. If the writer doesn’t take the characters seriously, then the reader won’t either. JH: Describe your working relationship with artist Kewber Baal. How do you two divide up the visual narrative? Do you list the number of panels on each page and provide shot descriptions, or is it a more casual arrangement? DL: I produce what I think of as a pretty standard script, in which I divide the page into panels. I’ll block each panel to the degree I think is necessary for plot and character development, but I also like to give Kewber a lot of room to put his own spin on things. I see the artist’s I work with as co-creators, not people who are there to turn my vision into reality. So I like to give artists what they need to tell the story properly, but at the end of the day, I want them to feel like it’s our story, not just mine. 05/02/24 @ 10:59 pm EST
Jennifer Zhang (Fetish, Charon) is set to direct sci-fi feature length anthology, Trüebadour. Also written by Zhang, the film stars Gina Su (Autopilot, Blue, Transpo), and Daphne Qin Wu (The Angry Black Girl and Her Monster, Beacon) serves as cinematographer. Based on the sci-fi short Autopilot, Trüebadour follows an enigmatic engineering prodigy who introduces the bombastic founder of a tech start-up to an innovative “storytelling” device that scans its wearer to generate an original work of fiction. No one at the company is prepared for the unsettling stories their minds inspire, nor the disturbing consequences of using the device. (via Deadline) 05/02/24 @ 10:51 pm EST
Louis Leterrier, director of Fast X and several Transporter action movies, has been tapped to direct and produce the sci-fi horror film 11817, based on a script by Matthew Robinson. The genre pic produced by Leterrier’s Carrousel Studios, Rocket Science, Thank You Studios, Chernin Entertainment and 3 Arts Entertainment is now casting. Rocket Science will fully finance, handle foreign sales and introduce the film in Cannes, while CAA Media Finance will handle a North American sale. In 11817, inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life-or-death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who – or what – is keeping them trapped. (via THR) 05/02/24 @ 10:39 pm EST
Paul Walter Hauser will be making his Marvel debut with a role in The Fantastic Four, The Hollywood Reporter is confirming. No character details are available, but he joins a cast that includes Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/The Invisible Woman, Joseph Quinn as Johnny Storm/The Human Torch, Ebon Moss-Bachrach as Ben Grimm/The Thing and Julia Garner as the Silver Surfer. The feature has a July 25, 2025 release date and hails from WandaVision director Matt Shakman, with Eric Pearson writing the latest draft of the script. It centers on the characters created by Stan Lee and Jack Kirby for the comic book that launched the Marvel Comics universe in 1961. 05/02/24 @ 11:25 am EST
Todd McFarlane Productions and Image Comics will bring fan-favorite "Baby-Spawn" character 'Spawny' back to shelves in an action-packed, five-issue miniseries, Spawn Kills Every Spawn launching in July. Written by John Layman (Chew) and illustrated by Rob “Sketchcraft” Duenas, with colors by Robert Nugent, this bold story brings a hilarious-yet-deadly twist to the world of Spawn. In Spawn Kills Every Spawn, the character baby of ‘Spawny’ attends Spawn-Con, a convention filled with various Spawns from across the Spawn Universe. Unfortunately for Spawny, he discovers that he’s not even close to being the most popular Hellspawn. Instead, he’s the least liked among that group. To battle his identity crisis, Spawny decides to take drastic action: KILL THEM ALL! What follows is a darkly comedic, action-packed adventure that explores the insanity of a convention full of Hellspawn, and the lengths one very sensitive Spawn will go to in his quest to gain fame and recognition. “From the very outset of our first miniseries starring our adorable little maniac, fans have been bugging me to bring him back once again for another series of mayhem," said Todd McFarlane, creator of Spawn and President at Image Comics. "This time around, the wonderful art by Rob puts so much detail into the pages, I think readers will be going back through each book to find all the visual Easter Eggs he has planted within the story. And Jon Layman has brought his own sense of absurd cuteness to this story so that you are both shocked and smiling at what is unfolding in front of you. The overwhelming support for this tiny, little character has been quite surprising to me.” This new addition to the Spawn Universe is perfect for the life-long SPAWN fan, as well as new readers—make sure to grab your copy and join Spawny as he goes on a killing spree like no other! Spawn Kills Every Spawn #1 will be available at comic book shops on Wednesday, July 24, for the retail price of $2.99. The Final Order Cutoff deadline for comic shop retailers is Monday, July 1: Cover A by Duenas - Lunar Code 0524IM237 Cover B by McFarlane - Lunar Code 0524IM801 Spawn Kills Every Spawn is also available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.    
... 05/02/24 @ 11:26 am EST
The final season of Netflix’s Cobra Kai will be released in three parts with the first premiering on July 18 followed by Part 2 on November 28. The final installment is more of a mystery as the streamer is only teasing it will drop in 2025. The season picks up with Cobra Kai eliminated from the Valley as senseis and students decide if and how they will compete in the Sekai Taikai — the world championships of karate, according to the official description. (via Deadline) Check out the date announcement and teaser: https://youtu.be/WPUGgxf3tx8 05/01/24 @ 9:08 pm EST
The long gestating, live-action Masters of the Universe film is finally getting a release date. Amazon MGM has dated the Mattel film for a June 5, 2026 worldwide theatrical release.The film will follow, according to its synopsis, “10-year-old Prince Adam who crashed to Earth in a spaceship and was separated from his magical Power Sword—the only link to his home on Eternia. After tracking it down almost two decades later, Prince Adam is whisked back across space to defend his home planet against the evil forces of Skeletor. But to defeat such a powerful villain, Prince Adam will first need to uncover the mysteries of his past and become He-Man: the most powerful man in the Universe!”Travis Knight is directing from a script by Chris Butler. Mattel Films’ Robbie Brenner, and Escape Artists’ Todd Black, Jason Blumenthal and Steve Tisch are producing. (via The Hollywood Reporter) 05/01/24 @ 8:54 pm EST
Chris Stuckmann and Aaron B. Koontz of Paper Street Pictures have added genre specialists Mike Flanagan, Trevor Macy and Melinda Nishioka of Intrepid Pictures as executive producers on their record-breaking Kickstarter-backed horror film Shelby Oaks, which is in post-production.The 2022 Kickstarter campaign for the movie raised $1.39M in under a month, more than doubling the previous record for the most-funded horror film on Kickstarter. A combination of documentary, found footage and traditional film styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley (Sarah Durn), who ominously disappeared in the last tape of her investigative series Paranormal Paranoids. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood might have been real. The cast also includes Brendan Sexton III, Michael Beach, Robin Bartlett and Keith David. There’s no word yet on a release plan. (via Deadline)
05/01/24 @ 8:54 pm EST
BOOM! Studios, together with leading toy and game company Hasbro, revealed a first look at MIGHTY MORPHIN POWER RANGERS: THE RETURN #4, the FINAL issue of the new POWER RANGERS series written by the original Pink Ranger herself, Amy Jo Johnson along with co-writer Matt Hotson and artist Nico Leon (Ms. Marvel), colorist Dono Sanchez-Almara, and letterer Ed Dukeshire. Available in comic shops in May 2024! With the Green Dragon Power Coin in the hands of someone’s identity that will shock the rest of the Power Rangers, a fateful battle on the moon commences! But as climactic events unfold, who will remain to carry on the legacy of the Mighty Morphin Powers Rangers? Will the world still need them? MIGHTY MORPHIN POWER RANGERS: THE RETURN #4 features a main cover by POWER RANGERS fan favorite artist Goñi Montes (Mighty Morphin Power Rangers) and variant covers by David Nakayama (Firefly) and Miguel Mercado (Seven Secrets). MIGHTY MORPHIN POWER RANGERS: THE RETURN is the newest release from BOOM! Studios’ eponymous imprint, home to critically acclaimed original series, including BRZRKR by Keanu Reeves, Matt Kindt, and Ron Garney; Something is Killing the Children by James Tynion IV and Werther Dell’Edera; Grim by Stephanie Phillips and Flaviano; Stuff of Nightmares by R.L. Stine and A.L. Kaplan; Damn Them All by Simon Spurrier and Charlie Adlard; Once Upon a Time at the End of the World by Jason Aaron, Alexandre Tefenkgi, Leila del Duca, and Nick Dragotta; Know Your Station by Sarah Gailey and Liana Kangas; A Vicious Circle by Mattson Tomlin and Lee Bermejo; The Neighbors by Jude Ellison S. Doyle and Letizia Cadonici; Ghostlore by Cullen Bunn and Leomacs; Sirens of the City by Joanne Starer and Khary Randolph; Coda by Simon Spurrier and Matías Bergara; Rare Flavours by Ram V and Filipe Andrade; Underheist by David and Maria Lapham; and Animal Pound by Tom King and Peter Gross. The imprint also publishes popular licensed properties, including Dune: House Harkonnen from Brian Herbert, Kevin J. Anderson, and Michael Shelfer; Mighty Morphin Power Rangers by Melissa Flores and Simona Di Gianfelice; and The Expanse: Dragon Tooth by Andy Diggle and Rubine. MIGHTY MORPHIN POWER RANGERS: THE RETURN #4 will be available now at your local comic shop on May 29, 2024. Digital copies can be purchased from content providers, including iBooks, Google Play, and Kindle. Mighty Morphin Power Rangers: The Return #4 A Main: MAR240066 Mighty Morphin Power Rangers: The Return #4 B Variant: MAR240067 Mighty Morphin Power Rangers: The Return #4 C 1:10 INCV: MAR240068 Mighty Morphin Power Rangers: The Return #4 D 1:25 INCV: MAR240069 Fans and readers can purchase copies of MIGHTY MORPHIN POWER RANGERS: THE RETURN SC, collecting the entire four-issue series, in comic shops on December 4, 2024 and in bookstores everywhere December 10, 2024.        
... 05/01/24 @ 2:47 pm EST
The critically acclaimed Giant Generator series The Sacrificers—by The New York Times bestselling writer Rick Remender (Napalm Lullaby, Deadly Class, LOW) and artist Max Fiumara (Amazing Spider-Man, Four Eyes, Lucifer), Shuster award winning colorist Dave McCaig (The Walking Dead Deluxe), and published by Image Comics—will welcome a guest artist André Lima Araújo (A Righteous Thirst for Vengeance) to the team. Araújo will be on deck for the series interiors of issues #10-12, the first of which will kick off a new story arc in July. Early uncolored, unlettered inks from the upcoming The Sacrificers #10 hint at what's to come when Remender and Araújo join forces to tell the tale of Princess Soluna’s fall from grace. After a reversal of fortune tests her resilience, she's brought face-to-face with unimaginable horrors in a search for refuge in a seemingly godforsaken world. "André is one of the greatest talents in comics today and one of those rare people who is not only an incredibly talented and exciting illustrator, but a wonderful storyteller, and a machine that never misses a schedule," said Remender. "On top of that, he's a sweet guy and a lot of fun to work with. We're really lucky to have him come join us on this and become part of this strange little family we've been building." The Sacrificers #10 will be available at comic book shops on Wednesday, July 10: Cover A by McCaig - Lunar Code 0524IM347 Cover B (1:10 copy incentive) by McCaig - Lunar Code 0524IM348 The Sacrificers is available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.        
... 05/01/24 @ 2:48 pm EST
Following her breakout role as Shin Hati in the hit Star Wars series Ahsoka, Ivanna Sakhno has found her next big role. Deadline is reporting that she has landed a major part in M3GAN 2.0, a sequel to the hit film from Atomic Monster and Blumhouse in association with Divide/Conquer. She joins a cast that includes Allison Williams and Violet McGraw. Plot details on M3GAN 2.0 are unknown, but the original film revolves around a life-like AI doll that is programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by brilliant toy-company roboticist Gemma (Williams), M3GAN can listen, watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to. That film would go on to make $180 million worldwide on a $12 million budget, with a sequel quickly going into development. |
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